Documentary Film
Documentary Filmmakers write about their work.
In this issue:
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		  In This Issueby Ervin BeckDocumentary film is the creative nonfiction genre in the cinematic arts. Since its early form as newsreel, it has morphed into a ubiquitous expressive and artistic medium, with examples abounding in television networks, classrooms, popular movie theaters and art film houses. Documentary films have earned their inclusion in the Academy Awards. Yet, except for such stars as Michael Moore and Ken Burns, the makers of documentary films tend to be invisible, partly because of the seemingly functional nature of the films and partly because of the collaboration required to produce them. If a film is made by a team of … 
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		  Salvation for a Skeptic's Soulby Burton Buller“The movie is the rival of schools and churches, the feeder of lust, the perverter of morals, the tool of greed, the school of crime, the betrayer of innocence…They debauch the minds of children, inflame the lusts of youth, harden the hearts of sinners. They are a trap for souls, a mocker of God, a curse to America!” – John R Rice in What’s Wrong with the Movies? (1938, 1964). I Want To Be a Filmmaker! I grew up in a Mennonite Brethren community. One of the key markers that distinguished us from those around us was that we didn’t … 
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		  A Passion for Film: My Life as a Filmmakerby David DueckLike the rest of my Mennonite Brethren Church congregation in Boissevain, Manitoba, I sat with growing anticipation as the lights went down and the first flickering images lit up the screen. It was my first experience seeing and hearing an actual film presentation. It was 1954 and, as a fourteen year old who had grown up on a mixed farm in rural southern Manitoba, this was a moment that would alter the course of my life! The group that was presenting the film was The Shantyman Organization, whose mission was to visit the logging camps throughout the province and present … 
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		  Dedicated Observersby Paul HuntI had just returned from filming a family of seven for a fundraising video for the Centre for Autistic and Developmental Disabilities (CADD) and wondered why I had such an enjoyable time. There were no interviews, no prompting, just me capturing their everyday lives, honestly, in real time. Back in my days of illustrating children's books, much like a photographer, I had to be content with the drawn and painted image of a book cover on a single, two-dimensional plane. But I always wanted to move inside the picture and see what the image would look like from different angles. … 
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		  There's No Money in Documentary Filmmakingby Dirk EitzenI might as well say that right up front, for anybody who might suppose otherwise. This is not a complaint; it’s just an observation. But I am guessing that, in one way or another, it is a subtext of much of what appears in this special issue on documentary. I don’t make documentaries for a living. I’ve made a bunch, but my bread and butter come from teaching. I’m a professor. I’m occasionally envious of filmmaker friends who travel the globe working on fascinating documentary projects, but when the conversation turns to health insurance and job security and the challenges … 
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		  Branch Valley Productionsby Jay RuthI have worked at video production since 1985, almost all my adult life. A “selected” list of my work includes 82 titles ranging from 4 to 120 minutes, about 35 hours worth, plus many more I haven’t kept a record of other than through old invoices. Much of my work has been of a “documentary” nature, with a focus on history, church, community, identity, and storytelling. It’s not hard to see why, as I look back at the way I began. I never studied, anticipated, or really even thought about film or video before taking it up. I got a … 
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		  Burton Buller Filmographyby Burton BullerFrom 1970 to 2011 
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		  David Dueck Filmographyby David DueckFrom 1973 to 2012 
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		  Paul Hunt Filmographyby Paul HuntFilm Links 
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		  Dirk Eitzen Filmographyby Dirk EitzenFrom 1985 to 2007 
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		  Jay Ruth Filmographyby Jay RuthFrom 1985 to 2012