ARCHIVES AT A TIME OF WAR
ARCHIVES AT A TIME OF NOT-WAR
ARCHIVES AT A TIME OF ECONOMIC CRISIS
ARCHIVES AT A TIME OF INFLATION
ARCHIVES AT A TIME OF CORRUPTION
ARCHIVES AT A TIME OF NATIONALISM
ARCHIVES AT A TIME OF OCCUPATION
ARCHIVES AT A TIME OF LOSS
ARCHIVES AT A TIME OF NEOLIBERALISM
ARCHIVES AT A TIME OF DISPLACEMENT
ARCHIVES AT A TIME OF DISINVESTMENT
ARCHIVES AT A TIME OF DIASPORA
ARCHIVES AT A TIME OF NOSTALGIA
ARCHIVES AT A TIME OF VIOLENCE
ARCHIVES AT A TIME OF INDIFFERENCE
ARCHIVES AT A TIME OF HOPE
ARCHIVES AT A TIME OF SHOPPING MALLS
ARCHIVES AT A TIME OF DESPAIR
ARCHIVES AT A TIME OF THEFT
ARCHIVES AT A TIME OF BODIES
ARCHIVES AT A TIME OF TRANSLATION
ARCHIVES AT A TIME OF SILENCE
ARCHIVES AT A TIME OF POETRY
ARCHIVES AT A TIME OF DISSOLUTION
ARCHIVES AT A TIME OF RECONCILIATION
ARCHIVES AT A TIME OF REPARATION
ARCHIVES AT A TIME OF BAD ARCHITECTURE
ARCHIVES AT A TIME OF BUREAUCRACY
ARCHIVES AT A TIME OF SHAME
ARCHIVES AT A TIME OF OBJECTS
ARCHIVES AT A TIME OF IMPASSE
ARCHIVES AT A TIME OF LIBERATION
ARCHIVES AT A TIME OF RETURN
ARCHIVES AT A TIME OF WAR
ARCHIVES AT A TIME
About the Author
Kandis Friesen’s work is anchored in diasporic language, dispersed translations, and disintegrating archival forms. Drawing on Russian Mennonite, Ukrainian, and former Soviet geographies, her interdisciplinary compositions build from architectural, material, and spectral inhabitations of exile, amplifying minute and myriad histories at once. Her work has been exhibited and screened at LUX, Images Festival, Jihlava Film Festival, FIFA, Athens Digital Arts Festival, MIX NYC, Traverse Vidéo, and VIVO Media Arts, among others. Originally from Winnipeg and Montréal, she lives and works in Chicago. Her videos are distributed by Groupe Intervention Vidéo in Montréal.